Deborah Foreman

  • Lunatics: A Love Story (1991)

    Lunatics: A Love Story (1991)

    (On Cable TV, June 2021) Much as you can tell much about people in the way their personalities are praised over their other qualities, there’s a kind of movie out there that defines itself by its weirdness above everything else, and that’s where we find Lunatics: A Love Story. There’s a quirky aspect to it that does make it endearing, even as it deals with damaged, mentally ill characters. Ted Raimi stars as a poet with a number of irrational fears that have kept him from getting out of his apartment for the previous six months (this was pre-pandemic times, so considered outrageous). Meanwhile, Deborah Foreman shows up as a troubled young woman who ends up with the male lead out of sheer happenstance. Bruce Campbell is often mentioned in relation to the film, but he’s a few supporting characters at best — but his presence is an additional sign of the filiation between writer-director Josh Becker and fellow Detroit native Sam Raimi. The low-budget energy similarities between Lunatics and early Raimi are there, but the film quickly comes into its own. The mixture of eccentric romance between damaged characters and nightmare-like visuals is intriguing enough and ensures that Lunatics will appeal to viewers looking for an offbeat film.

  • Valley Girl (1983)

    Valley Girl (1983)

    (In French, On Cable TV, May 2019) Considering that Valley Girl is a quasi-anthropologic study of life and love between Los Angeles neighbourhoods playing off the eponymous stereotype popularized by Frank Zappa, I clearly made a mistake by watching it in its French-Canadian dub: No amount of repetition of “… genre…” as an accurate translation of “… like…” is as charming as the stereotypical overuse of the word as punctuation in the original Valley dialect. At least the translation is on firmer footing when it comes to presenting a different-sides-of-the-track romance between a hippie Valley girl (Deborah Foreman) and a punk rockfish boy (Nicolas Cage) from Hollywood—the vaguely disreputable Hollywood as seen from another L.A. neighbourhood. Amusingly enough, Cage is here introduced by teenage girls squealing in admiration about his body, screaming, “He’s like a god!” One thing that doesn’t get lost in translation is the time-travelling aspect of going back to 1983 and taking a look at how teenagers (approximately) lived at the time, in between malls and music joints. (And that strange thing called sushi.)  The soundtrack may not be to everyone’s liking, but it is certainly evocative of a time and place. Director Martha Coolidge wasn’t looking to make a document for the ages with this low-budget romance, but that’s roughly what happened—Valley Girl wasn’t just a sizable hit at the time, but it endures as a fond memory. Next time, I’ll watch the original dub.