Erika Eleniak

  • Dracula 3000 (2004)

    Dracula 3000 (2004)

    (In French, On Cable TV, September 2020) The notion of a bad movie is elastic—some will nominate big-budget Hollywood studio movies for “worst movie of the year” Razzies, even though there are several lower levels of hell on the way down to truly abominable movies. Dracula 3000 is fairly down on that ladder—wretched but not wretched enough to be completely unwatchable. Taking the Dracula story to set it aboard a spaceship in a premise clearly cribbed from Alien, it’s clearly from screenwriters who don’t understand science fiction, failed remedial physics and couldn’t be bothered writing more than a simplified third-generation copy of the Dracula story. Everything takes place in the year 3000, albeit with early-2000s movie clichés. The tin-eared dialogue seems almost parodic at times with its precise references to the 2950s, and I hope it was the French dub that introduced nonsense such as “Transylvania is a planet in the Carpathian Galaxy” (upon checking: no, that’s in the original) (Actually, looking over some quotes in their original version, it’s obvious that I missed much of the film’s charm by watching it in French—the dub may make a bit more sense, but it’s lacking the joyous inanity of the original). The writers use the same names as the public-domain Stoker novel, but other than having a character named van Helsing trace his genealogy all the way to 1800s Earth, don’t get your hopes up for anything as clever as even a remake of the original story. The villain is ridiculous, the story doesn’t make any sense and the staging is terrible—there’s really not much left to watch. The cast, however, is a surprising blend of C-grade celebrities, from Coolio to Casper Van Dien to Erika Eleniak and Tommy Tiny Lister. But as bad as the film is, there’s a specific kind of entertainment in watching it unfold. The raunchy dialogue (in a nudity-free film!) is in a class of its own, and the ending is essentially a big sex joke, certainly the most upbeat everybody-dies ending I’ve seen in a long while. Do I recommend Dracula 3000? Not to you, not in general, not to any unsuspecting soul—but I may share it with a few bad-movie enthusiasts and see what they think about it.

  • The Beverly Hillbillies (1993)

    The Beverly Hillbillies (1993)

    (On TV, March 2020) I was frankly expecting the worst from The Beverly Hillbillies and ended up pleasantly surprised—the TV series that served as inspiration is known as a paragon of low-brow humour, and the very premise of Arkansas hillbillies striking oil and becoming rich enough to move to Beverly Hills seems custom-made for dumb humour. The good news isn’t that the film isn’t stupid, because it is—it’s that there’s some cleverness underlying the intentional stupidity. Of course, keep in mind that the film is directed by Penelope Spheeris, whose other films show a considerable amount of wit. The Beverly Hillbillies is clearly not as smart as in Wayne’s World here, but at least there’s the feeling that someone is paying attention to shore up what could have been worse. There’s constant self-awareness of the silliness of the script and plenty of winks at the audience even as the slapstick is going down. Making the most out of the limitations of the premise they’ve been handed, nearly every actor in the cast brings their A-game to the material. Special mention goes to Dietrich Bader, Erika Eleniak, Cloris Leachman, Lily Tomlin and Lea Thompson in various ways, some of them exceeding expectations (Eleniak), meeting them (Bader), looking cute (Thompson) or just being rocks of dependable humour (Leachman, Tomlin). Not everything works (there’s some crossdressing material that clearly reads as transphobic today) but if your tolerance for broad dumb comedy in which predictability is comforting, then The Beverly Hillbillies is a better film than you think. It works even better if your expectations are down on the floor.

  • Under Siege (1992)

    Under Siege (1992)

    (On TV, September 1998) Not bad. Not very good, either, but what can you say about Yet Another Die Hard clone, this time with a lone cook (Steven Seagal) battling terrorists on a ship (the battleship USS Missouri)? It’s actually decent entertainment as long as you don’t expect much from it. Tommy Lee Jones makes an interesting villain, we get a totally gratuitous nude shot of Miss-July-1989 Erika Eleniak and the battleship scenery is original. On the other hand, there’s scarcely any suspense for anyone (Seagal is never in any kind of real disadvantage) and the story isn’t really innovative. Still, not bad.