Jerome Kern

  • Till the Clouds Roll By (1946)

    Till the Clouds Roll By (1946)

    (On TV, September 2020) Nominally a biopic about the life of composer Jerome Kern, Till the Clouds Roll By is perhaps best seen as an anthology showcase for MGM’s roster of musical talents. The story itself is perfunctory, largely fictional, and revolves around Kern’s best-remembered Show Boat. (Amusingly enough, Till the Clouds Roll By begins with a twenty-minute recreation of several of Show Boat’s set-pieces, years before MGM’s official adaptation—which also featured Kathryn Grayson in the same role.) There’s some additional resonance knowing that Kern died during filming—it’s too bad that his Hollywood years were scarcely covered here, the climax of the fictionalized story having occurred earlier. But that overall plot quickly gets forgiven and trivialized when you get down to the meat of the film, which is a series of nearly thirty musical numbers (some of them very short) featuring some very well-known names and fan favourites. The film gets off to a very strong start during its Show Boat sequence with performances by Kathryn Grayson, the always-funny Virginia O’Brien and a spellbinding Lena Horne. Later highlights include a surprisingly saucy Angela Lansbury, Dinah Shore, a trio of numbers by Judy Garland, Lucille Bremer with Van Johnson, a very short but still impressive dance number with Cyd Charisse, and a final rendition of “Ol’ Man River” by none other than a young Frank Sinatra. When you have such a strong cast of performers, the plot itself becomes inconsequential. While Till the Clouds Roll By doesn’t manage to create the alchemy required to become a great movie musical, it’s a strong collection of material and performers, and it will be best appreciated by those with some understanding (and appreciation) for the roster of mid-1940s MGM musical performers. [December 2021: Now that I’ve seen the 1951 version of Show Boat and read about its production, Till the Clouds Roll By becomes a precious document: a glimpse into an alternate reality where Lena Horne would have played the part that was so well suited to her rather than Ava Gardner.]