Judge Reinhold

  • Ruthless People (1986)

    Ruthless People (1986)

    (In French, On Cable TV, March 2020) Considering that I have long been a steadfast fan of the Zucker, Abrahams and Zucker (ZAZ) spoof comedies (Airplane!, Top Secret!), it’s a bit of a surprise that I managed to wait this long to see their Ruthless People. There’s definitely a reason for that, however: Ruthless People, compared to other ZAZ movies, is known to operate on a very different comedic register. It’s not a visually intense spoof, is far from being as absurd on a gag-to-gag basis and is far more character-based. I hesitate to call it more realistic, however, considering the incredibly dense and twisted nature of its plotting as a “simple” kidnapping case soon reverses the usual good/bad character roles and leads to some strange alliances, twists and counter-plotting. Milquetoast Judge Reinhold and Helen Slater star as disgruntled employees who decide to take revenge by kidnapping the wife (Bette Midler) of their boss (Danny DeVito), but things very quickly take a turn for the weird when the boss actively attempts to provoke the kidnappers into killing his wife. This is all in the film’s first fifteen minutes, and there’s a lot left along the way, including the jarring introduction of a serial killer who eventually ends up becoming a comic prop. It’s both disappointing (if you’re expecting the usual ZAZ goofiness) and better than expectations when compared to other comic crime capers of the time. There’s a pleasant density of plot developments, DeVito is at his most darkly unhinged, and Bette Midler is the force of nature that she is in her better roles. On the other hand, this is not as distinctive as other ZAZ comedies, and in a post-Tarantino world it’s not quite as intriguing as it must have been at the time. Pair it with Throw Momma from the Train for a fun Danny DeVito dark comedy combo.

  • Fast Times at Ridgemont High (1982)

    Fast Times at Ridgemont High (1982)

    (On DVD, November 2017) Fifteen minutes in Fast Times at Ridgemont High, I experienced a sudden and unexplainable feeling of nostalgia for malls as they existed in the nineties (with bookstores, record stores, movie theatres and other niceties that are being paved over by the march of digital progress) which is really weird considering that as a teenager in a small town, I spent nearly no time at all in malls until my twenties, and even then not that much. Such is the effectiveness of the film, given that it presents high schoolers as they navigate between school, home and the mall (usually as a workplace). It’s directed by Amy Heckerling, from Cameron Crowe’s first script (based on his own book as an undercover high-schooler) and it’s still a cutting, unflinching look at the teenage experience, even when bathed in movie magic. While billed as a comedy, it gets unexpectedly serious at times (such as with an abortion subplot that exemplifies a major betrayal between so-called friends) yet does not really dive deep into misery despite the protagonists’ reversals of fortune. The cast of the movie is amazing—not only does it feature solid performances by Sean Penn (as a stoner surfer hilarious far away from his current persona), Jennifer Jason Leigh, Judge Reinhold, and Phoebe Cates, it also features near-cameos by then-newcomers Nicolas Cage and Forrest Whittaker. Good characters, organic plot developments, an interesting soundtrack, and a cheerful refusal to bow to conventions help make Fast Times at Ridgemont High still interesting today even after thirty-five more years of teenage high school comedies. No wonder it’s become a cultural touchstone—and now I know firsthand what everyone is talking about, including the infamous poolside scene.