Margaret Dumont

  • The Big Store (1941)

    The Big Store (1941)

    (On Cable TV, November 2020) Nearly every Marx Brothers film is worth a few laughs, but there are still clearly superior Marx films and then the others. While The Big Store is not one of their worst, it doesn’t rank as a particularly good one. Made during their MGM years, it features three of the brothers wreaking havoc in and on a department store, as Groucho plays a detective asked to uncover a plot against the owners. Everyone plays their part, including Margaret Dumont as the rich older lady pursued by a gold-digging Groucho. As usual for Marx films of the period, the plot serves as a way to hang the sketches, and to provide a break from the comedy with easily skippable musical numbers that borrow a lot from operettas and feature the featureless Tony Martin and Virginia Grey.  (Virginia O’Brien, as usual, is more distinctive with a monotone take on a lullaby.) Harpo plays the harp, Chico does his wiseguy and Groucho plays with words. For fans, the two standout sequences of the film are a demonstration of increasingly wilder beds popping out of the walls, and a final chase through the entire store that finely upholds the Marx Brothers’s tradition of visually anarchic movie climaxes. As with all of their movies, it’s worth a look and possibly a box-set purchase. But it’s not one of their best, and the MGM structure clearly differentiates between the fun scenes and the dull ones in between.

  • A Day at the Races (1937)

    A Day at the Races (1937)

    (On Cable TV, January 2018) Marx Brothers vehicle A Day at the Races, second in their MGM line-up, does feel a lot like the previous A Night at the Opera—individual set pieces for the Brothers, matronly role for Margaret Dumont, romantic subplot for the non-comedians Maureen O’Sullivan and Allan Jones, large-scale conclusion in a very public setting … it’s a formula, but it works even when it’s not as effective. Once again, I’m far more partial to Groucho’s absurdist repartee than Harpo’s silent act, but the result is decently funny, with a few highlights along the way: The musical numbers are actually pretty good (including pulling a harp out of a destroyed piano), even if the blackface sequence is hard to enjoy now despite the good rhythm of the song. Most of the comedy bits drag on a touch too long (or definitely too long for the “ice cream” sequence) but the charm of the Brothers usually make up for it. A Day at the Races isn’t quite as good as some of the previous Marx films, but it’s still watchable enough today.