Micheline Lanctôt

  • The Apprenticeship of Duddy Kravitz (1974)

    The Apprenticeship of Duddy Kravitz (1974)

    ByChristian Sauvé Movie Review

    (In French, On Cable TV, May 2020) Mordecai Richler’s The Apprenticeship of Duddy Kravitz is a classic of Canadian literature (widely acclaimed, often cited on best-of lists, taught in schools, etc.), and its reading is almost mandatory if you want to claim that you know anything about CanLit. The film adaptation is along the same lines for Canadian film, perhaps even more so given that it was one of the first commercially and critically successful films that blended regional themes and settings to produce a film that was unquestionably Canadian. For modern viewers, there’s some added attraction in seeing a very young Richard Dreyfus in the leading role, Dennis Quaid in a supporting role and (for French-Canadian film fans) a young and surprisingly attractive Micheline Lanctot. The Apprenticeship of Duddy Kravitz takes us, as did the novel, into Montréal’s anglophone Jewish community. It’s uneven, and almost frustrating by design (it is, after all, blatantly about a young man’s coming of age and these things don’t always go smoothly) but it does have a few high points—including a comic set-piece about an exceptionally pretentious bar mitzvah video documentary. The French-Canadian dub has a weird mixture of formal and informal French, which makes sense given the setting (and how Micheline Lanctot dubs her own lines in her very distinctive voice) but still rings a bit weird to viewers used to a more consistent level of language.

  • Les affamés [Ravenous] (2017)

    Les affamés [Ravenous] (2017)

    ByChristian Sauvé Movie Review

    (In French, On Cable TV, December 2018) Now here’s a fun curiosity— Les affamés is a French-Canadian zombie film, featuring some well-known local actors fighting the undead menace in rural Québec. It speaks to the democratization of genre elements that even that kind of project can be viable away from Hollywood. (Or maybe not that all surprising, given that the only thing you really need for a zombie movie is a farmhouse and red syrup.) Still, it is quite a thing to see grande-dame of Québec actresses Micheline Lanctôt cock a shotgun before going undead-hunting. Writer/director Robin Aubert makes the most out of the limited budget given to French-Canadian productions, setting his stories in forests, farm fields and isolated houses. Most of the elements of zombie movies are used in a straightforward fashion, although Aubert can’t resist adding an eerie element of zombie intelligence and proto-civilization by having them create towers out of ordinary objects. But never mind the quirks—the film delivers on the usual zombie-chomping action, what with lead actor Marc-André Grondin trying to hold everything together even in the face of an ongoing apocalypse. The result feels a bit odd by zombie-movie standards: a bit too pretentious at times (as in “yeah, we’re trying to do something more ambitious than the usual zombie movie”) even though its chief appeal—at least for me, as a French-Canadian viewer—is in setting familiar zombie tropes in very familiar settings with characters speaking a familiar patois. Les affamés offers two lasting visuals, but if I had to choose, I’d rather sacrifice the tower of chairs so that I could have more veteran Québec actors shooting zombies in the face.