I Remember Mama (1948)
(On Cable TV, April 2021) A bunch of likable episodes chronicling a period of time in the life of a Norwegian immigrant family in early 20th-century San Francisco, I Remember Mama adopts a familiar framing device — the writer protagonist reminiscing about growing up—in order to serve its short stories and affectionate reminiscences. Clearly meant for comfort viewing, the film is most successful when it relies on its actors: Barbara Bel Geddes as the narrator, an aged Irene Dunne as the titular Mama and especially Oscar Homolka as the grander-than-life uncle who ends up being the focus of many scenes. The black-and-white cinematography portrays scenes of 1900s San Francisco as best as it could in a pre-CGI era — still, the sense of place is evocative. You have to have a tolerance for episodic narratives, but like films such as Meet Me in St. Louis, it all adds up into a portrait of a close-knit family, meant to create a nostalgic view of the narrator’s childhood. The material does have a universal quality, and its impact is still perceptible even today.