Philo Vance series

  • The Casino Murder Case (1935)

    The Casino Murder Case (1935)

    (On Cable TV, October 2021) Hmmm. When I said to myself that I’d watch the Philo Vance series, I did so after watching a William Powell Vance, not a Paul Lukas Vance. The Casino Murder Case (which features far less of a casino setting than you’d think) is a decent but not overly impressive murder mystery, as foppish detective Vance goes around collecting clues that the police has missed. There’s poisoning, recalcitrant witnesses, candies, fake-outs and characters obsessing over the properties of heavy water. Lukas is disappointing as Vance, hitting the worst notes of the character without quite managing to let the best come out—Rosalind Russell is better in the lead female role, but not that good due to the limitations of the part. The plot itself is rather dull, with the comedy only hitting in brief spurts. The Casino Murder Case amounts to a somewhat mediocre example of 1930s murder mystery in a light vein: not unwatchable, but hardly worth as much attention as other examples of the subgenre.

  • The Kennel Murder Case (1933)

    The Kennel Murder Case (1933)

    (On Cable TV, August 2020) Come for William Powell as a sleuth; stay for a locked-room mystery so convoluted that it becomes a performance piece in The Kennel Murder Case. This was the fourth time Powell played then-popular literary detective Philo Vance (in the fifth film adaptation of the character). The actor, of course, was suited to portraying an upper-class gentleman investigator, but Vance isn’t quite the same as his later Nick Charles interpretation: Vance is single, serious and not quite as much of an alcoholic. Still, Powell’s charm and unflappability serve him well even when the script can’t quite serve up the quips. It helps that then-journeyman director Michael Curtiz does well in giving energy to the talky thriller through stylish decisions. The 1930s were a strong decade for murder mysteries, and The Kennel Murder Case does rather well in its elevated company: it’s intricate, presented smoothly (especially for a film of the early sound era) and engrossing – and doesn’t last more than 73 minutes! Narratively, it’s not quite perfect: Powell without a sparring partner feels like a missed opportunity, and the very last bit of the ending is slightly disappointing after the high-flying summation of all evidence. But generations of moviegoers have demonstrated an unquenchable thirst for good murder mysteries, and The Kennel Murder Case will satisfy even today.