Robert Vaughn

  • Pootie Tang (2001)

    Pootie Tang (2001)

    (On TV, July 2020) I’m about a generation too late at the Pootie Tang party, and a lot of it has to do with its reputation as a terrible movie. It’s not wholly undeserved, but the film itself is a great deal funnier than expected. Stemming from sketches from The Chris Rock Show and directed by then lesser-known Louis C.K., Pootie Tang is the kind of absurd satirical comedy that either falls flat or strikes a chord. It’s ingeniously dumb, as it revolves around a character (Pootie Tang!) meant as a parody of multi-hyphenates artists in the wake of the blaxploitation era. Pootie Tang (and please decline any drinking game in which the mention of the name is a trigger for alcohol consumption) is a rapper, actor and positive role model whose appeal is largely inexplicable to viewers but deeply felt by the characters in the film’s reality. Lance Crouther is pretty good in the lead role, while Robert Vaughn deliciously shows up at the antagonist, Jennifer Coolidge and Wanda Sykes provide some decent sex appeal, and Chris Rock goofs around in a variety of roles—plus many cameos big and small. Pootie Tang is almost aggressively stupid at times, but darn if I didn’t giggle during a good chunk of it: I liked the anti-corporate message, the semantic tour de force presented by the title character’s dialogue and the unapologetic weirdness of its humour. Don’t go in Pootie Tang expecting an ordinary, let alone good movie: you will know within moments if the absurdity of it all will grab you.

  • The Towering Inferno (1974)

    The Towering Inferno (1974)

    (On DVD, February 2018) I partially grew up on seventies Disaster films (they were a popular staple of French-Canadian TV in the early eighties), and while I don’t remember a lot of about them, there is the occasional ping of recognition as re-watch them in middle age. My fuzzy memories of The Towering Inferno were a disservice to the film, which is quite enjoyable in its own bombastic way. Never mind the fascinating backstory to the film (two studios meshing together similar projects based on different books) when the end result brings Steve McQueen together with Paul Newman in a big cooperative battle of manly heroes. The film is long, but the leisurely opening act does set up a premise of fiendish promise: an enormous skyscraper, fire risks everywhere, and human failings exacerbating an already dangerous situation. It all culminates in a titular conflagration … and it works pretty well. There are a lot of familiar faces here, including O.J. Simpson as a security guard, Robert Vaughn in his usual evilness, and one last great appearance by Fred Astaire in an effective dramatic role. (He won an Oscar for it, properly understood to be about the rest of his career.)  The film hits harder than expected, with plenty of sympathetic character deaths in addition to the expected reprehensible characters burning along the way. At times techno-thrillerish and at others always-getting-worse, The Towering Inferno does benefit from its mid-seventies vintage. The special effects haven’t aged well (mostly by limiting the way the disaster is portrayed—no CGI flybys of a burning tower surrounded by helicopters here) but the overall atmosphere of the film is fun. Far more successful than I expected to be, The Towering Inferno mostly holds up today … but be prepared for a long sit.