Ron Livingtone

  • Addicted to Fresno (2015)

    Addicted to Fresno (2015)

    (On Cable TV, July 2020) The weirdest stuff pops up on cable channels once in a while, especially when focusing on those smaller movies without strong genre elements—it’s not rare to see a direct-to-video movie on steady rotation years later, as it’s rediscovered by a programming director looking for more unusual titles. So it is that Addicted to Fresno made it on Canadian Cable TV channels this month, featuring a can’t-miss cast headlined by none other than Judy Greer and Natasha Lyonne. Any of those two would warrant a look as far as I’m concerned, but the two of them playing sisters in a dark comedy? Yes, I will definitely watch that. But the cast doesn’t stop there: With such notables as Aubrey Plaza, Ron Livingtone (playing a very Ron Livingtonesque role), Fred Armisen, Molly Shannon and a short but memorable turn by a then-lesser-known Kumail Nanjiani, it’s the cast that keeps on giving throughout the film. Greer and Lyonne are also interestingly cast against persona, with Lyonne as the cheerful level-headed one and Greer as the flighty unstable sister. Addicted to Fresno spares no moment in establishing its raunchy (but fully clothed) brand of dark humour with the language alone earning the film’s R-Rating. But it’s fun, and seeing these comic actors bouncing against each other is fun as well. Director Jamie Babbit keeps things going in a straightforward fashion, and if the actors aren’t all up to the task (while I like Plaza a lot, her deadpan style can’t quite stretch to accommodate her character) there’s a good-natured sweetness that emerges from its initially irremediable characters right in time for the conclusion. Addicted to Fresno won’t set the world afire nor will it find a large audience—the humour and characters can be off-putting. But it’s a nice example of a little character-driven comedy and the ending does wrap things up nicely. Stay for the few outtakes at the end, including a reprise of Lyonne’s can’t miss “Cousin Itt” moment.