Seth Rogen

  • 50/50 (2011)

    50/50 (2011)

    (On Cable TV, June 2013) Cancer is usually the domain of the made-for-TV sentimental tear-jerker aimed at women, not the kind of quasi-comedies aimed at young men.  But 50/50 takes the bet that it has something to say about cancer and friendship between young men and the result is far more impressive than you’d think.  Joseph Gordon Lewitt stars as a young radio producer who discovers that he’s got a rare and potentially fatal form of cancer.  Seth Rogen brings most of the laughs as his crude friend trying to cheer him up.  (The film squarely earns one of its most emotional moments when the protagonist discovers the highlighted best intentions behind his best friend’s cheerful facade.)  Meanwhile, Anna Kendrick gets a thankless role as a grief therapist who, against nearly all imaginable ethical guidelines, falls for her patient.  As a refreshingly younger and brasher take on the familiar cancer narrative, 50/50 ends up reaching a new audience in an honest way, and the result is both hilarious and affecting. 

  • The Green Hornet (2011)

    The Green Hornet (2011)

    (In Theaters, January 2010) I had no preconceived notions of how the Green Hornet character should be portrayed on-screen.  Unfortunately, I can’t say that I have a similar blank state of expectations regarding Seth Rogen: I find his man-child shtick annoying (Gaaah, Pineapple Express, gaaah), and this film pretty much revolves around it.  If the final result can be watched without too much pain, Rogen is irritating throughout, and not just because he plays a spoiled boorish incompetent: The Green Hornet flirts so effectively with the idea that his sidekick is a far more deserving superhero that Rogen becomes an intrusion more than anything else.  (Big Trouble in Little China did this trick far more effectively, albeit with a hero that was far more likable than Rogen’s usual loudmouth stoner-dude.)  As far as action-comedies go, The Green Hornet isn’t anything particularly special: A few laughs, a few action sequences, some interesting visuals.  That’s already better than we usually get for January dumping-ground films, even those adapted from sources that few people care about.  Parts of the film actually do play better than average: Thanks to director Michel Gondry’s visual sense, the action sequences benefit from judicious editing, well-placed slow-motion and a classic sense of pacing that avoids the new shaky-cam spastic-editing norms.  Gondry sneaks in a psychedelic sequence late in the film, and the green color scheme is used judiciously.  When Rogen shuts up and behaves like an action hero, the film works quite a bit better than when it tries to showcase his comedy.  The script is particularly poor in amusing sequences, delivering scene after scene that only work if you assume that every character is mentally retarded.  (Poor Jay Chou, undeservingly playing second fiddle; poor Cameron Diaz, relegated to MILF-prize for two boys.)  In other hands, The Green Hornet might have been good, or at least entertaining without moments of irritation.  Here, though, it just plays to Rogen’s crowd and leaves everyone else waiting until the next good moment.

  • Fanboys (2009)

    Fanboys (2009)

    (On DVD, December 2010) I’ll be one of the first to bemoan the increasing cooptation of geeks from social outcasts to lucrative market segment, but even I have to admit that Fanboys is a fun comedy aimed squarely at that audience.  The story of four Star-Wars-loving friends racing to steal an early copy of The Phantom Meance from Skywalker ranch, Fanboys gleefully indulges in geek references, inside jokes and enough re-quoted dialogue to qualify as a derivative work.  I’m not sure why I was expecting something cheap, because the end result is polished B-movie, low-budget but not necessarily unpleasant to look at.  The actors do their best (Jay Baruchel shows up in a decent early role, even showing his maple leaf chest tattoo), but it’s really the geekery of the film that takes center-stage in reflecting in the state of fandom circa winter 1999, still hoping that George Lucas would pull off a new trilogy of classic Star Wars films.  (Part of the film’s humour is in the knowing references to the post-1999 reputation of The Phantom Menace, Jar Jar Binks or Harrison Ford)  The geek stereotypes are extreme, but good-natured and even endearing when it comes to the five heroes of the story.  If nothing else, fans should see Fanboys for the succession of cameos and bit parts for notables such as William Shatner, Danny Trejo, Seth Rogen (in three different roles), Carrie Fisher, Billy Dee Williams and many more.  (Only Kevin Smith’s cameo feels rushed and incoherent.)  There’s also a snappy pop soundtrack.  Fanboys isn’t much of a comedy without the geek references (people without knowledge of the Star Wars universe, in particular, will miss out on much), but it’s good enough to exceed low expectations.  [Classification note for metadata nerds: The film was shot in 2007, pushed back numerous times during the film’s troubled production history and eventually released in theaters and DVD in 2009.  IMDB thinks it’s a 2008 film, but I’m listing it here as a 2009 release.]