The White Cliffs of Dover (1944)

(On Cable TV, October 2020) Well, I suppose you had to be there: MGM going wild to produce an Anglophile weepy drama adaptation of a book, doubling as propaganda picture hailing the courage of those sturdy British. It’s certainly worth noting that The White Cliffs of Dover was produced during the height of WW2, after the Americans joined the fight but before the invasion of Normandy—in other words, at a time when the fate of the war was still very much in the balance, and an extra dollop of home-front propaganda meant something. For modern viewers, it can be more interesting to note Irene Dunne’s performance, or that a very young Elizabeth Taylor shows up in a supporting role. The rest… is a slog. While The White Cliffs of Dover is not necessarily a bad film (MGM’s production values ensure that, if nothing else, the budget is shown on screen), but it is a plodding one with propagandist aims that aren’t so acceptable today. (Is dying for the country really that much better than going back home to Mom?)