Levar Burton

  • Rise of the Zombies (2012)

    Rise of the Zombies (2012)

    ByChristian Sauvé Movie Review

    (In French, On Cable TV, May 2021) Infamous mockbusters maker The Asylum takes on the zombie genre with Rise of the Zombies, a frequently inept effort that nonetheless has a few things going for it. First up, it’s explicitly set in picturesque San Francisco, focusing some of its plotting on survivors of the zombie apocalypse regrouping in Alcatraz as a defensible position. Casting-wise, it seems more ambitious than most with Danny Trejo, LeVar Burton, Mariel Hemingway and French Stewart in various (sometimes very short) roles. The plotting has one degree of cleverness more than the usual film of this type, and the ending is actually rather optimistic, which is something I want to see more often in a wasteland of gratuitously downbeat zombie films. Some of the action sequences are almost potent, and the actors seem to be attuned to the spirit of the enterprise. But none of this actually brings Rise of the Zombie to a level where I’d be comfortable recommending it — at best, it doesn’t want you to stop the film immediately, and that’s an improvement over most Asylum productions. I have issues with the way the story is structured (from the prison going outward, rather than the reverse) and the somewhat low-budget production values constantly grind against what should be much more entertaining viewing. But Rise of the Zombie is still better than its closest equivalents.

  • Looking for Mr. Goodbar (1977)

    Looking for Mr. Goodbar (1977)

    ByChristian Sauvé Movie Review

    (In French, On TV, February 2019) One of the niceties of being a French-Canadian cinephile is having access to channels that work on very different standards than the Anglosphere. Such as the one filling its Thursday late-night movie slot with racy material from cinema’s crazier years, often dipping into little-known oddities that have probably been forgotten by nearly everyone else. (I suspect that there’s a filter effect to the necessity of showing dubbed movies—some decent films have never been dubbed while bad ones have been, and you can guess from which catalogue the programming director makes their selection.)  Which brings us to Looking for Mr. Goodbar, a dark and depressing exploration of the perils that await a young woman as she sinks in ever more extreme levels of hedonism, regularly bringing back strange men to her apartment. The biggest surprise here is the casting, with Diane Keaton (looking a bit like a young Juliana Moore or Nicole Kidman) playing the lead role in an utterly off-persona performance as a schoolteacher by day, drug-sniffing party girl by night. Other familiar (but young!) faces include Richard Gere, Levar Burton and Tom Berenger as the big villain of the movie. Looking for Mr. Goodbar is not a fun film to watch, as it comes straight from the gritty New Hollywood era and keeps heaping more and more abuse on its heroine until an utterly bleak ending that takes everything from her. Richard Brooks’s direction can be intense at times, with numerous pulls into the character’s inner life and fantasies without warning, and a strobing red-and-black colour scheme that brings on the extreme violence of the ending. It’s quite an unpleasant film, with disco music being the least of it. Chicago nights are scary in this film, and the script (adapted from a novel) adds some heavy-duty family drama to make things seem even less pleasant. There’s plenty of nudity and viewers will pay the price for it: in the 1970s, nobody was allowed to have fun at the movies on either side of the screen. I’m glad that I got a chance to catch Looking for Mr. Goodbar, but I’ll be even gladder to let it fall in obscurity.