Michael Caine

  • Journey 2: The Mysterious Island (2012)

    Journey 2: The Mysterious Island (2012)

    ByChristian Sauvé Movie Review

    (On Cable TV, April 2013) One of the most damaging assumptions in film reviewing is the idea that kids’ movies are allowed to be dumber than films aimed at adults.  Never mind the long list of great kids’ movies that can be used as counter-arguments: the “dumb is OK for kids” mentality encourages an acceptance of bad screenwriting that should not be allowed to go unchecked.  So it is that much of Journey 2: The Mysterious Island stands amongst the shoddiest, most poorly-justified pieces of screenwriting I have seen recently.  It doesn’t matter if the original film didn’t cry out for a sequel: this one stands alone and should have been put down until a better script came along.  Parts of it are as insulting to common sense as to defy explanation.  Could I ever manage to convey the inanity of the “three maps” superposition?  The bees segment?  The submarine thing?  The list of gross offenses against elementary logic grows long, but not as long as the unconvincing character dynamics and dumb dialogue.  But here’s the thing: Even if Journey 2 makes little sense from a narrative perspective, it’s pretty good in bits and pieces, as the special effects, set-pieces, charismatic actors and sense of adventure occasionally manage to paper over the dumb parts of the script.  Dwayne Johnson is preposterously charismatic as a lead: the “pecs pop” sequence would have been intolerable with any other actor, but he manages to anchor the film into a grander-than-life reality.  Josh Hutcherson (returning from the previous film) is a dud as a protagonist, but Luis Guzmán is amusing enough as the comic relief, Vanessa Hudgens is cute as the love interest and Michael Caine doesn’t embarrass himself too much despite the sub-par material given to him.  Fortunately, the special effects are there to take the slack and provide some interest in-between the preposterous writing.  Still, a few pretty sequences aren’t much to compensate for a dangerously stupid script.  The usual “kids’ movies are dumb” argument usually ends with a variation on “it’s fine for kids, but adults may want to do something else”.  Well, never mind that: adults should be able to watch films with their kids.  If even you find yourself bored or insulted by Journey 2, stop watching it immediately, and watch something better instead.

  • Harry Brown (2009)

    Harry Brown (2009)

    ByChristian Sauvé Movie Review

    (In theatres, June 2010) The best reason to see this art-house exploitation film is to watch Michael Caine, visibly showing his age, reprising some of his stone-cold killer mannerism.  There isn’t anything more about this film, after all, than a revenge fantasy featuring a freshly-widowed pensioner taking revenge on a bunch of teenage hoodlums.  Starting from a paranoid view of the world, Harry Brown doesn’t spare a tut-tut while describing the depravity of today’s youth.  It does get quite a bit more enthusiastic, however, in showing its protagonist use his old Marine training to take down the worst of the local teens.  Caine with a gun is always fun to watch, even though the movie around him remains an uneasy blend of art-house drama and genre shoot’em-up.  The flaccid pacing, sure-footed cinematography and attention paid to Caine’s center-stage performance are more in-line with Oscar-baiting movies than the sudden bloody violence, squalid setting and unintelligibly profane characters.  Like many modern vigilante-justice films, Harry Brown remains stuck between condemning violence and indulging into the sheer thrill of it: Different kinds of viewers will have different ideas as to what are the film’s best sequences.  While the result doesn’t escape a few flaws (including a finale that seems to reach for unnecessary connections between characters), it’s a watchable film that is perhaps most interesting in comparison with other vigilante films, other British crime dramas and other Michael Caine tough guys.

  • Austin Powers in Goldmember (2002)

    Austin Powers in Goldmember (2002)

    ByChristian Sauvé Movie Review

    (In theaters, July 2002) As a big fan of the original film’s low-budget spy parody, I was let down by the scatological humor of the sequel and this impression only worsens with this third entry. The jokes become increasingly self-referential, up to a point where there isn’t much here that doesn’t refer to the Austin Powers mythology itself. Spy parody? Forget it! It doesn’t help that the “writer” is working with a palette of roughly five jokes, which are repeated time and time again way beyond the point of diminishing results. What’s worth saving are the first five minutes, which feature a series of celebrity cameos and a high-energy opening sequence. The rest goes downhill fast, even though I think this film is better than the second one if only because the gross-out humor is toned down in comparison. The only latter flashes of humor, though, are a G*dz*ll* reference and a gag on reading white subtitles on white background. (Alas, as with all the other jokes, this last joke is stretched for about a minute more than it ought to be.) On the other hand, it’s still good to see the familiar gang of Powers characters come back. Among the new character, though it’s mixed bag: Michael Caine is particularly good as Nigel Powers. Beyonce Knowles is positively adorable in one scene (in Power’s pad) and simply wasted in the rest of the film; she deserves better material. As for the title character, Goldmember is one of the lamest thing about the film, a character who doesn’t elicit one single laugh. The rest of the film plays as a parade of wasted opportunities; why don’t you go see Undercover Brother for a film that not only does disco-blacksploitation right, but is also considerably funnier to boot?