Shock and Awe (2017)
(On Cable TV, May 2019) As someone who stood by aghast as the United States rushed into the invasion of Iraq back in 2002–2003, I’m naturally predisposed to like Shock and Awe, a dramatization of how the Knight Ridder staff consistently reported accurate information about the rush to war … only to be ignored by much of the mainstream press which, at the time, was uncritically relaying the Bush administration’s message. There are a few great messages here about an independent press, skepticism of government, analysis-based decision-making (rather than the other way around) and perseverance in the face of mass delusions. Director Rob Reiner features stirring speeches, confrontation scenes with deceivers, hints of conspiracy in journalists meeting sober-minded sources and characters trading J-school best practices. This is good stuff, and the film does act as a reminder (for people my age) or primer (for younger viewers) on the events of the time. The relevance of such a film won’t be lost, as today’s headlines have to do with another administration mounting another war in the Middle East under a steady drum of impeachment talk. But as much as Shock and Awe acts as catnip for a political junkie, there’s a clear difference between its blunt approach and the more subtle machinations of something on the level of, say, The Post: it’s overstuffed with inelegant exposition, rushing through facts while not always giving characters the breathing room to live. Even a dating scene, meant to humanize the characters, ends up being a blatant as-you-know vehicle. It’s not enough to make me dislike the film (in fact, I do like it a lot), but a bit more attention to characters could have made it stronger, and one that doesn’t necessarily play to a sympathetic crowd such as myself. The issues with the screenplay are so fundamental that they obscure really good work done by capable actors—one day, we will have to talk about Woody Harrelson and his choice of roles as one of the most progressive actors of his generation. Other names such as James Marsden, Tommy Lee Jones and Jessica Biel show that they can be counted upon to deliver a serviceable performance no matter the circumstance. But even if having the right intentions is crucial, having the right methods is essential.