Alan J. Pakula

The Pelican Brief (1993)

The Pelican Brief (1993)

(In French, On TV, March 2019) In retrospect, it does make sense that a straightforward crowd-pleasing novelist like John Grisham would lead to a handful of straightforward crowd-pleasing movie adaptations. I’m not complaining! In fact, I miss those solid, medium-budget standalone thrillers. Take The Pelican Brief, for instance—an average but competent thriller in which a young woman stumbles upon a conspiracy by linking the death of Supreme Court justices to land development shenanigans. If the film has a stroke of good luck, it’s in being able to depend on a few capable actors (Julia Roberts and Denzel Washington, obviously, but also John Lithgow, Tony Goldwyn and Stanley Tucci in a rare role as a terrorist) as helmed by veteran director Alan J. Pakula—who clearly knows how to wring every drop of suspense out of a given sequence. The early-1990s atmosphere of The Pelican Brief is getting quainter and more charming by the day as it reminds us of how difficult it was at the time to get any kind of information without the Internet: the movie would be about an hour shorter if they just had access to Google. But then again, maybe that’s the way they’re going to go with a remake: have a blogger spew a joke conspiracy theory that happens to be true, rather than have a law student speculate as in this film. Ah well—I’m not really asking for a remake. This one is good enough.

Presumed Innocent (1990)

Presumed Innocent (1990)

(In French, On Cable TV, February 2019) I miss 1990s standalone thrillers, and Presumed Innocent is a fine example of the form—adapted from a novel, it drops viewers right in the middle of a complex story and challenges them to keep up. The accumulation of subplots makes things more interesting than the rather simple core premise would suggest, with enough layering of legal system cynicism to provide the gritty atmosphere. I liked the dense beginning far more than the increasingly linear ending, which ends on a five-minute monologue that ends up sucking a lot of punch away from a striking revelation. This being said, Alan J. Pakula’s understated direction does leave full space for the focus to be on the story—this is not a film that would benefit from an overabundance of style. Harrison Ford is OK in the lead role, his stoic persona playing well with a character not prone to bursts of emotion. Elsewhere in the cast, Bonnie Bedelia is not bad as the protagonist’s wife, while Raul Julia is very cool as a top defence lawyer. Still, Presumed Innocent is a plot-driven film rather than an actor’s showcase, and at a time when so few top Hollywood movies run on pure story, it only makes me realize how much I miss it.