Avery Brooks

  • Solomon Northrup’s Odyssey (1984)

    (On Cable TV, July 2022) As much as I hailed 12 Years a Slave, it’s a useful footnote to know that Solomon Northrup’s Odyssey adapted, nearly thirty years earlier, the very same book describing how a skilled black man from New York State was lured, captured and sent in slavery for twelve years. This made-for-PBS telefilm was directed by none other than Gordon Parks, shot in the American South and was informed by several historians. It goes without saying that the material here isn’t quite as hard-hitting as Steve McQueen’s 2012 film—but for a TV audience, it’s eloquent enough and sometimes a bit more interesting in how it portrays slavery under three different masters, yet maintains the point of slavery’s inherent brutality. Park’s background as a photographer shows in the film’s better-than-average cinematography, and Avery Brooks does quite well as Northrup. It strikes me that this 1984 version could be used more widely in classrooms than the often-brutal 2012 film—but it’s well worth visiting for anyone. (One of the modern tragedies of slavery is that when it’s taught in schools, it often becomes a received subject without immersion in the real horrors of what it means to belong to someone else—emotional dives such as this movie make it all real far more real.)  It’s unfortunate that the film’s lower audiovisual quality persists today (even on TCM, which presumably has access to the highest-quality-available version), and that it’s practically forgotten by anyone without an interest in black cinema. I found it engrossing, especially when compared to the better-known version of the same story.

  • The Captains (2011)

    The Captains (2011)

    (On-demand Video, March 2012) As far as premises go, this documentary keeps it simple: William Shatner goes around interviewing the five other people who have played a captain (as lead) in a Star Trek universe.  While there’s a little bit of footage of Shatner being himself at a Star Trek convention, much of The Captains is a series of one-on-one conversations between very different actors.  Shatner seems to be enjoying himself (he wrote and directed the film), as he adds another piece to his very public voyage of self-awareness regarding his most iconic role –you’d think that after a few books, and many self-referential appearances in Trek-related works, there would be nothing left to say, but there is thanks to his interviewees.  Patrick Stewart is grace incarnate as a top-level actor who has accepted his place in Trek history, but it’s his regrets at the toll the acting life has taken on his personal relationship that ends up being his moment in this film, much as Kate Mulgrew’s extraordinary description of the rigors of a TV series lead over a single mom’s life that ends up being the film’s emotional highlight.  Otherwise, well, Avery Brooks is one weird/cool cat as he riffs off jazz music and somber themes.  There’s no denying that The Captains is for trekkers: While it’s kind of entertaining to see Shatner arm-wrestle with Chris Pine, the film remains a definite vanity project meant to develop the kind of meta-Shatneresque personae that Shatner has been enjoying for the past two decades.  Even so, it’s remarkably entertaining for those who know a bit about the Star Trek universe: discussions between fellow professionals often are.