Tag Archives: David Carradine

Evil Toons (1992)

<strong class="MovieTitle">Evil Toons</strong> (1992)

(In French, on Cable TV, February 2019) There’s some really weird stuff if you start looking in the late-night lineup of your Cable TV channels, and I was really amused to find Evil Toons on the schedule of French-Canadian horror-focused Frisson TV. It’s not exactly a well-known film. It’s not a good movie. It even stretches the definition of a “fun to watch” film. But it’s certainly weird enough to warrant a look. The premise is one that I find immensely charming, being about a few young women asked to clean a house that—obviously!—turns out to be haunted, possessed and just plain old evil. David Carradine shows up to looks spooky and deliver some exposition, but he’s not the main draw here. That would turn out to be pornographic actress Madison Stone in a relatively rare mainstream role, first as a funny sex kitten and then as a threatening vamp. The weirdness doesn’t stop there, as the antagonists of the film are realized as hand-drawn cartoons integrated in the live-action footage. Writer/director Fred Olen Ray has a checkered career in low-budget films (most of his movies don’t even have a Wikipedia page), but I’m sure that Evil Toons represents a career high of sort. Now, I wouldn’t want to overhype this—Evil Toon’s potential vastly exceeds what it ends up delivering. We barely scratch the surface of the naughty horror comedy that it could have been in better hands. Budget oblige, the toons barely show up … and the script can’t even be bothered with a few choice pieces of dialogue that even a marginally better comedy would have delivered without breaking a sweat. There’s no subtlety, the story’s development is lame and the characters have a tendency to under-react to sights that would have more realistic (heck, most comic) characters screaming their heads off—how dumb are these people? The end-credit music is catchy, though, and Evil Toons manages to go without nudity for a full twenty minutes. What we’re left with is still a weird movie, albeit with Madison Stone doing her best. It could have been quite a bit better but somehow, I can’t bring myself to condemn the result.