(On Cable TV, March 2018) By now, Sofia Coppola’s female-centric, soft gauze, slow-pacing, contemplative style almost defies parody. But it happens to be the correct approach for this remake of The Beguiled, in which a wounded soldier comes to rest at an isolated house entirely peopled by women. The presence of a man in an otherwise all-female environment is a recipe for disaster, and the film follows this to the expected conclusion. Hugh Jackman is featured as the soldier, but he’s outclassed by Nicole Kidman, Kirsten Dunst, and Elle Fanning. It’s not much of a story, but it’s deliberately told with plenty of atmosphere. It may not be to everyone’s liking, but it’s competent and daring enough to create discussions as to who, if anyone, was in the right here. I’d like to have more to say about it, but The Beguiled is the kind of film that can only be taken in, not picked apart.