Beaches (1988)
(In French, On Cable TV, November 2019) If you’re wondering what a title like Beaches has to do with the adventures of two headstrong women played by Bette Midler and Barbara Hershey, may I suggest pronouncing the title again with a slight accent? (Sure, there’s the setting going from the sandy shores of Atlantic City to San Francisco—but my explanation is funnier.) The friendship drama spans decades, antagonistic romantic triangles, showbiz success, many personal milestones and one big sob at the end—exactly what a deliberate tearjerker needs to be successful. For many viewers, the best reason to watch the film remains Midler, here in the upswing of her movie career as a powerhouse performer. She’s terrific, although at the cost of taking away some of Hershey’s more delicate work. Director Garry Marshall does good work in executing the film’s intention in a mostly unchallenging manner, keeping its emotional punches for the tragic finale. The flip side of that mere competence is that Beaches feels far too deliberate to be affecting: it goes exactly where you expect in more or less the expected manner. While this may be an issue with jaded film critics and people falling outside the film’s intended demographics, this is unlikely to be much of a problem for that core audience seeking exactly what the film must deliver—the proof being all the other movies before or since taking up exactly the same formula. But, hey, this one had “Wind Beneath My Wings” to sob about.
