Heath Ledger

Lords of Dogtown (2005)

Lords of Dogtown (2005)

(In French, On Cable TV, June 2019) I like movies that are about a specific time and place, and Lord of Dogtown couldn’t be more specific about taking place in California during the mid-seventies. There was an unprecedented drought at the time, and that led to many pools being drained for the summer, which happened just as skateboarding was revolutionized by the introduction of urethane wheels. The script, written by Stacy Peralta (who was close to the events and people described) focuses on a group of friends during that summer as they go skateboarding from one empty pool to another, breaking up and turning professional in their practice of the sport. Lords of Dogtown is not a good-looking movie: in an attempt to emulate the look of contemporary cameras, director Catherine Hardwicke goes for a harsh bleached and grainy look. But her direction is impressive, going handheld in an attempt to stick as closely as possible to the action. The stunt work in the action sequences is in-your-face, with several actors taking spills along the way. The cast itself is worth a look, including a number of people (Heath Ledger, America Ferrara, Sofia Vergara, Emile Hirsch, Rebecca de Mornay) that went on to star in much bigger movies. Baby-faced Michael Angarano is even more baby-faced here. There are also tons—and I mean dozens—of cameos from the movie and the skateboarding world. The French translation is surprisingly well done—The period soundtrack is excellent, and there’s even a good pun in here that wouldn’t work in the original English. While Lords of Dogtown is more impressive as a time-travelling capsule and an action showcase than a traditional dramatic film, that’s fine—not every movie adapted from real events has to be an Oscar-baiting drama.

The Imaginarium of Doctor Parnassus (2009)

The Imaginarium of Doctor Parnassus (2009)

(In theaters, December 2009) A film by Terry Gilliam is usually quite unlike anything else, and so it is that The Imaginarium of Doctor Parnassus is, at the very least, unique in its own way.  The title is probably the most normal aspect of a film that allows the writer/director to fully indulge in his obsessions, from skewed images to wide-angles to midgets to stylized animation.  The story may be about choices and imagination, but the result is pure visual spectacle for fans of special effects, imaginative dream worlds and cinematic fantasy.  There are more than a few visual and thematic links to previous Gilliam films from The Fisher King to The Adventures of Baron Munchausen. This being said, there are a few strong performances to admire as well: Much has been made of Heath Ledger’s final role and the way other actors (Johnny Depp, Jude Law and Colin Farrell) are used to complete his scenes set in imaginary worlds, but the result feels both appropriate and seamless.  Also worthwhile are Verne Troyer (given surprisingly level-headed dialogue), Tom Waits (as, appropriately, the Devil), Lily Cole (an unconventional beauty balancing out the rest of the male-dominated cast) and Christopher Plummer as the titular doctor.  Alas, the story is a bit more muddled: As with his latest Brothers Grimm, Gilliam delivers fantasy that seems to make it up as it goes along, never setting out rules or sticking to them: it makes the experience of seeing the film a bit tortuous if viewers are trying to do more than admire the pictures.  But for Gilliam fans, this won’t be much of an issue:  Overall, The Imaginarium of Doctor Parnassus is a worthwhile effort, perhaps the single best Gilliam (and Gilliamesque) film in more than a decade.