I am Legend series – Christian Sauvé

The Omega Man (1971)

ByChristian Sauvé 2019-03-222023-03-18 Movie Review

(On Cable TV, March 2019) One of the benefits of a classic Hollywood film education is discovering earlier version of later remakes, and being able to compare how different eras approached similar themes. The Omega Man is (at this time) the middle version of a Richard Matheson novel I am Legend, filmed earlier as The Last Man on Earth (1964, with Vincent Price) and later as I am Legend (2007, with Will Smith). The compelling premise remains the same, as a lone human survives in a city occupied by vampires/creatures/mutants. But this version does have quite a few things making it special even today. The decision to set the film in an eerily deserted early-1970s Los Angeles makes for terrific visuals, and having none other than Charlton Heston makes for a good showcase for him. The interracial romance of the film is still enormously appealing today—and Rosalind Cash looks great despite being saddled with some dated dialogue. I am not, however, so happy with the film’s silly-looking antagonists, or the evolution of a remarkably good first act into the messier and somewhat dumber final section. Much of the action doesn’t hold up, nor do many of the characters’ decisions. While interesting by itself, The Omega Man is perhaps most interesting when compared with other takes on the same story. None of them completely satisfy, but the more I see of the earlier versions, the less I’m impressed by 2007’s I am Legend. Let’s wait another twenty years and maybe the next version will get it right.

Movie Review

The Last Man on Earth (1964)

ByChristian Sauvé 2019-03-112023-03-18 Movie Review

(On Cable TV, March 2019) Considering that no less than three well-remembered films (1964’s The Last Man on Earth, 1971’s The Omega Man and 2007’s I am Legend) all came from the same 1954 Richard Matheson novel I am Legend, it’s tempting to keep comparing all three adaptations to each other. While my favourite is probably The Omega Man, it’s not by a wide margin and you can certainly argue that The Last Man on Earth is fast acquiring a patina of almost quaint charm, so artificial does it now feel compared to modern standards or later adaptations. This is clearly Vincent Price’s movie, so central is he to the action and how thoroughly comfortable he seems to be in the role. It’s a bit cheap and shot in Italy to save further costs, but the ideas are there and developed relatively well—despite the familiarity with the story, I still found the finale a bit surprising. Of course, much of The Last Man on Earth will feel humdrum to modern viewers considering that its premise has been mined and remade left and right. Still, it’s not a bad beginning for the novel’s string of adaptations, and it’s definitely worth more than a historical look.