(On Cable TV, April 2013) I had trouble enjoying writer/director Wes Anderson’s earliest films, but with 2007’s Fantastic Mr. Fox and now Moonrise Kingdom, things may be turning around. I’m not the same person who saw Anderson’s first films as they appeared in theaters, obviously, and Moonrise Kingdom is a lot like Fantastic Mr. Fox in that it takes Anderson’s fascination for the twee presentation of flawed characters and puts them in a more broadly accessible context than, say, The Life Aquatic with Steve Zissou. Simply put, here we get kids acting like adults rather than adults acting like kids and that makes a huge difference: As Moonrise Kingdom follows the repercussions of two 12-year-olds eloping together, the film feels charming, comic and affectionate at once. A strong cast of eccentric adult characters (Bruce Willis as a policeman, a pitch-perfect Edward Norton as scoutmaster, hangdog Bill Murray, Tilda Swinton as a social services meddler) acts as a good foil for teenage protagonists Jared Gilman and Kara Hayward. Moonrise Kingdom’s whimsical tone seems perfectly controlled, and it’s hard to watch the film without looking forward to the next trick to come out of Anderson’s fertile imagination. It’s an odd film, with comparisons to be found mainly in Anderson’s cinematography (well, maybe that of Jared Hess as well), but it works better than it should. I’m calling Moonrise Kingdom a pleasant surprise, especially given that I expected practically nothing from it. I may, however, expect more from Anderson in the future.