(Video on Demand, April 2013) One thing is for sure: As a take on the British comic-book character Judge Dredd, this is quite a bit better than the 1995 Sylvester Stallone film. Dredd dispenses with its protagonist’s origin story, overt character development and even heroically refuses to show his entire face: the result is quite a bit closer to the intention of the original comic book material. It helps that producer Alex Garland has been able to put together a day-in-the-life action film that stands alone absent any connections to the wider Dredd mythology: Pete Travis’ direction shows occasional flourishes, and the action cleverly focuses on a single megaskyscraper taken over by criminals. It falls to Judge Dredd (Thanklessly played by Karl Urban, who never removes his eye-obscuring helmet) and trainee Cassandra Anderson (adorably chimpmunk-faced Olivia Thirlby) to clean up the mess, even as they go against a powerful drug lord (Lena Headley, faaaar from her Game of Thrones role) and entire floors of hardened criminals. Other than the dystopian setting, the film’s biggest SF device is a “Slo-Mo” drug that slows down perception to 1% of current time –visually presented with sparkly ultra-so-motion. The action set-pieces are numerous and decently handled, even often beautiful despite the substantial gore that they portray. If nothing else, Dredd is a fine action film, not flawless (the early scenes outside the apartment building betray a small budget) but stylish enough at a time when there are so many cookie-cutter films of the sort. Fans of the over-the-top comic book series may be disappointed to see that the film doesn’t have the resources to indulge in the universe’s wilder facets, nor the audience familiarity to be as cuttingly sarcastic about its own premise. But Dredd ought to please a wider audience than just the comic book fans, and that’s an honorable result given what happens to most comic-book-inspired films.