Rosie Perez

Fearless (1993)

Fearless (1993)

(In French, On Cable TV, November 2019) There is something interesting about movies that dare navigate the fine line that separates realism from the extraordinary. Fearless is one of those movies that skirt the edge of a realistic drama by focusing on the survivor of a plane crash who develops some unusual psychological disorders, helped along by ambiguously fantastic events. Played by Jeff Bridges in one of his best roles, our protagonist overcompensates for his survivor’s guilt by becoming convinced that he is already dead, eating allergenic food without consequences and even crashing his car to make a point. His detachment from reality becomes spectacular at times, such as walking away from the crash scene without notifying anyone. His mental health issues are aggravated by the aftermath of the crash—the FBI investigation, the media attention, the legal proceedings, the guilt shared by fellow survivors. Directed by Peter Weir, who has often handled such tricky material, Fearless is an effective character study of someone ordinary in exceptional circumstances. A clever script heavily (but cleverly) relies on flashbacks to show us the before-and-after circumstances of the protagonist. With such skillful touches, Fearless is far more entertaining than expected for such weighty subject matter—and with such interesting actors as Rosie Perez (deservedly nominated for an Oscar), Isabella Rossellini, Benicio del Toro and John Turturro along for the ride, it’s also not a bad choice for anyone looking at the state of mainstream drama movies from the mid-1990s. Even if, at times, Fearless does push much realism as far as it can go.

White Men Can’t Jump (1992)

White Men Can’t Jump (1992)

(On Cable TV, July 2019) Hustling and basketball—it doesn’t take much than that to get a strong premise for a sports comedy. But what sets White Men Can’t Jump above similar movies is the addition of capable actors such as Woody Harrelson and Wesley Snipes, both at the top of their physical condition, as well as Rosie Perez in one of her best roles. Venice Beach as seen from the bottom rung is interesting, but not as much as the characters trying to hustle their way out of there. Writer-director Ron Shelton has an uncanny grasp of dialogue, athletic ego and not-so-friendly competition—White Men Can’t Jump is never as good as when it’s following our two protagonists on the basketball court, inventively trash-talking their way through their own hustles. The basketball sequences are thankfully convincing. Rosie Perez is also a joy as a motor-mouthed bookworm whose wildest dreams come true through sheer determination. I’m not so happy about the ending of the film (in which a serious conversation could have prevented its bittersweet conclusion) but much of White Men Can’t Jump is still quite a bit of fun to watch.