(On Cable TV, August 2017) I’ve been curious about Lottery Ticket all the way since seeing its trailer back in 2010, but it took until now to finally have a look at it. Having done so, I’m not going to pretend it’s anything more than a hood comedy featuring high financial stakes, as a young man with a variety of issues wins a gigantic jackpot and has to hold on to his ticket for the next three days. Most of the time, Lottery Ticket plays according to the standards of so-called black comedies: depiction of ghetto life, stereotypical humour, threats of thuggery and so on. That it takes place near Atlanta rather than in Los Angeles isn’t particularly important. As such, what you get with Lottery Ticket is roughly what you can expect from it. It could certainly use more tweaking, though: there’s often a tonal mismatch between the silly comedy of the protagonist’s entourage with the more violent scenes that come later on, or the middle section that deals in lavish excess. The jokes are merely fine, the film does indulge in its own depiction of the male gaze given its treatment of female characters, and there is little doubt as to what role each character has to play in the plot. At least there are known faces in the mix. While rapper Shad “Bow-Wow” Moss is featureless as the protagonist, Ice Cube has a small but important role as an ex-boxer, Terry Crews has a typically very funny small role as a reluctant bodyguard, and Leslie Jones shows up for a line or two. Lottery Ticket isn’t a particularly memorable or significant film, even as the black comedies subgenre goes, but it’s likable enough to be watched without too much effort.