Tag Archives: Donald Glover

Solo: A Star Wars Story (2018)

<strong class="MovieTitle">Solo: A Star Wars Story</strong> (2018)

(Netflix Streaming, January 2019) I watched Solo: A Star Wars Story very reluctantly. The shameless exploitation of the Star Wars universe by Disney has a clear endpoint of diminishing return, and the way the standalone movies have been calculated for mercenary impact is enough to leave a bad taste in everyone’s mouth. To put it bluntly, Solo is a useless, unneeded movie. Nobody was really asking for a young Han Solo film. Nobody needed another attempt to explain the most minute corners of the Star Wars universe in even-duller detail. Frankly, the result does rankle. It’s filled with huge coincidences, an annoying tendency to overexplain, the irritating urge to tie up everything and the introduction of new leitmotifs that smack of modern screenwriter handbooks more than organic storytelling. But of course, organic storytelling is the last thing that Disney wants, and much of the chatter prior to the film’s release had to do with the way the original team of directors—iconoclasts Chris Miller and Phil Lord—was fired and replaced by Ron Howard, who reportedly reshot Solo using a more conventional approach. It would be fascinating to see that first cut of the film (I’m not holding my breath), but the result does work as a straight-up adventure. The plot is serviceable, the actors in the main roles are generally fine (I may even come to like Emilia Clarke at some point in the future) and the secondary characters usually steal the show—with a special mention for gone-too-soon Thandie Newton’s character, Donald Glover as a perfect Lando Carlissian, Phoebe Waller-Bridge as the voice of L3-37 and Erin Kellyman as Enfys Nest. While Solo isn’t devoid of links to the rest of the Star Wars Universe, those are more interesting when they cover smaller touches (such as the embedding of L3-37 within the Falcon, or the dawn of the Rebellion) than providing an entire backstory to Han Solo. The film is far more interesting when it strikes out on its own away from the established Star Wars mythos than when it rehashes the same old thing. Han Solo often ends up being the least interesting thing about the movie dedicated to him, not helped along by Alden Ehrenreich’s bland take on the character. If there’s one good thing to come out of Solo’s relative lack of commercial success (considering expectations and a $275M budget, “merely” grossing $400M is not enough), it’s that The Mouse has finally understood the point of diminishing returns on its Star Wars cash grab and may start being more discriminate about future projects.

The Lazarus Effect (2015)

<strong class="MovieTitle">The Lazarus Effect</strong> (2015)

(On Cable TV, December 2015) Sometimes, it’s tempting to go back in time, grab a particular filmmaker by the shoulder and say “This project you’re thinking about?  Forget it.  It’s not worth it.”  Why anyone would want to make another movie about scientists finding ways to bring back the dead to life is beyond me: it’s not as if we don’t know what’s coming, and Flatliners still looms large as the flawed but definitive statement in this area.  I’m sure that there’s something interesting left to say about resurrection and demonic possession, but The Lazarus Effect is not the film that will achieve that: It’s exceptionally formulaic, uninterested in any kind of rigor and not particularly well-executed on a moment-to-moment basis.  There are no surprises and almost nothing to look forward to.  At best, there’s something to be said about seeing young capable actors such as Olivia Wilde and Donald Glover; alas, they are stuck in a basement-grade horror movie of the kind most often seen as filler on cable TV late-night schedules.  The plot is pointlessly dull, with its most promising edges shaved away to irrelevance by the end of the film.  There’s something particularly exasperating in the way the resurrected (predictably) turns evil, but also comes back with telepathy, telekinesis, super-strength and whatever other unfair advantages a psycho-killer possessed by a demon may have.  The Lazarus Effect is just not very interesting, and feels too long even under 90 minutes.  If it wasn’t worth making, it’s certainly not worth watching.