(Video on Demand, October 2013) Marvel Studios sure has been on a roll lately; exception made of the dull Thor movies, their last few films haven’t merely played the superhero-blockbuster movie theme as well as it could, but they’ve started playing around with the formula in ways that could be considered risky. So it is that Captain America 2 goes well beyond its predecessor, taking on the style of a contemporary techno-thriller, destroying some of the foundations of the Marvel Cinematic Universe so far and piling up revelations about the entire Marvel series. It’s standard superhero stuff, but it’s so exceptionally well-made, and takes such unnecessary chances that a less confident studio would have avoided, that it can’t help but earn a lot of sympathy. Making fullest use of Chris Evans’ enduring charm, Captain America 2 also gives bigger roles to Scarlett Johansson’s Natasha Romanov and Samuel L. Jackson’s Nick Fury: both prove equal to the greater scrutiny. (And that’s without mentioning the plum role given to Robert Redford, in a nod to his place in 1970s political thrillers, or Anthony Mackie once again making full use of his limited time in a supporting role.) (Oh, and George St-Pierre bring a welcome –if incongruous- French-Canadian accent to the film.) The title character adapts well to the current era, but the dilemmas of the contemporary surveillance/intelligence state aren’t a good match for someone forged in 1940s idealism, and it’s those themes, even cursorily tackled, that give interesting depths to Captain America 2 as more than just an action film. Still, even on a moment-to-moment basis, directors Anthony and Joe Russo show a really good eye for what makes great action sequences: fluid camera work, movement with weight, solid sound design and clever moments all contribute to making Captain America 2 one of the best-directed action movie in recent memory: the extended car chase is particularly good, as is the elevator fight sequence. (In-between the other Phase 2 films, let’s give credit to Marvel Studio for its choices as it picks lesser-known directors for major movies.) Other fascinating bits and pieces pepper the film, from a deliciously mainframe-punk Artificial Intelligence reprising a character from the first film, to the big and small details tying this film to the wider Marvel Cinematic Universe. It’s an impressive piece of work, whether it’s considered on a moment-by-moment basis or as part of a series that now sports seven other entries. At a time where DC can’t manage to complete even one fully satisfying superhero movie, it’s a bit amazing to see Marvel so successfully achieve the insanely ambitious plan they forged years ago, at a time when even planning a trilogy was a bit crazy.