(Third viewing, On DVD, April 2017) I first saw Die Hard with a Vengeance on opening day, and I’m pretty sure I saw it again on DVD ten or fifteen years ago. But I can’t find a mention of it on this site, so here we go: I really, really like the first two-third of this film. It open on the iconic “Summer in the City” soundtrack of a bustling mid-nineties Manhattan before starting to blow stuff up. Then it’s a wild ride through the city, accumulating brain-teasers, going through cheeky overdone action sequences and letting Bruce Willis and Samuel L. Jackson do what they do best. John McTiernan’s direction is exceptionally good and there’s a sense of fun, joy and movement to the story. Every cinephile imprints on the movies of younger years, and mid-to-late nineties action cinema is the standard against which I will forever measure others. Die Hard With a Vengeance’s first two acts is good, solid, highly enjoyable moviemaking. I like it a lot, and I had forgotten just enough details about the movie to be charmed all over again. It’s also a beautiful wide-screen homage to New York City in its multiplicities of glories. Then … the film leaves Manhattan and loses quite a bit of steam. While the script is always big on coincidences, they get actively outrageous by the time our two main characters meet again upstate. By the time we’re on a boat, the film settles down to a far more conventional beat, and the tacked-on ending at the border feels more superfluous than anything else. Still, two-third of a great movie followed by a third of an okay one is better than the average. Contemporary viewers will notice that both Trump and Clinton are name-checked (the latter as a likely “forty third president”), and that a few moments eerily echo the events of 9/11.