(On TV, August 2017) As far as girl-meets-boy high school movies go, it’s hard to find a more representative example of the form as Pretty in Pink. The script, by a classic-era John Hughes, is witty and clever while aimed squarely at the teenage set. The eighties atmosphere is strong without being overpowering, while Howard Deutch’s unobtrusive direction gets all the pieces moving in the same direction. Molly Ringwald definitely has a unique appeal in this film while Annie Potts also claims a few highlights, and this quirkiness has contributed to the film’s continued appeal even today—it’s from a familiar recipe, but not so bland as to be undistinguishable from so many other similar films. I can see the appeal of the film for a certain audience, even though I have to admit that I’m not part of that audience.