(On Cable TV, December 2018) A good musical comedy is timeless, and Easter Parade is better than most. Here we have Fred Astaire as a Broadway singer pairing up with a young singing sensation played by Judy Garland in an effort to make his ex-partner (on-and-off-stage) jealous. That’s really an excuse to string along musical numbers, of course, and Easter Parade plays that game well. Astaire is in fine form, MGM’s Freed unit was near the top of its game and few expenses were spared along the way. I’d like it a lot better if Judy Garland and Ann Miller (who plays the ex-partner) switched roles, but I seem to be in the minority in my overall lack of enthusiasm for Garland. Still, Miller gets at least one good solo number (“Shaking the Blues Away”) and it’s fun to see her as the romantic antagonist. The film’s by-the-numbers plotting lets the musical numbers shine through: the highlights include the Astaire/Garland comedic “We’re a Couple of Swells”, but especially the Astaire number “Steppin’ Out with My Baby”, which mixed optical trickery to show Astaire’s dance moves in slow motion. The early-1910s Manhattan atmosphere is convincing, with all the stops pulled out for the title end number. Astaire, like in most of his movies, is too old for his co-star, but then again which woman, no matter her age, could keep up with his dance moves? Worth watching at any time of the year, Easter Parade is among the best of the MGM musicals, and remains a minor landmark in Astaire, Garland or Miller’s careers.