(In French, On TV, December 2018) I can certainly understand Little Women’s timeless appeal—as a story detailing the struggles of the four March girls following the American Civil War, it’s got no fewer than five plum female roles, including four for young actresses. The 1930s version practically made a star out of Katharine Hepburn, and this 1994 version features a terrific cast, in-between Winona Ryder, Trini Alvarado, Kirsten Dunst/Samantha Mathis and Claire Danes as the girls, with Susan Sarandon as the mother. But wait, it gets even better! Gabriel Byrne, Eric Stoltz and Christian Bale are also featured as some of the suitors of the March girls. Meanwhile, the story has just enough melodrama with war casualties, fatal illnesses, romantic entanglements and literary progression. Director Gillian Armstrong manages to adapt and propel the story in a way that avoids some of the hawkishness of earlier version, and create a convincing portrait of a family sticking through challenging times. I do like the 1930s version, but this Little Women may be even more accessible and lighter on cheap sentiment.